Dear Miss Manners: Several years ago, a divorced woman exactly my age moved in next door. I liked her very much and tried to become friends with her. Read more... )

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musesfool: gold star christmas ornament (follow that star)
([personal profile] musesfool Dec. 23rd, 2025 09:21 pm)
I just cleaned off the kitchen counter and put the last bowl/spatulas in the sink to soak (the dishwasher is already running, and all the cupcakes are cooked and 4 out of 5 frostings are made (I just finished the strawberry Swiss meringue buttercream) - tomorrow I will make the ganache and possibly also a whipped ganache (I've never done it with butter in it - does that make it more buttercream-ish?) just to change things up a bit.

Today, I baked the strawberry (doubled to make 80), apple cider (60), and funfetti (doubled to make 80) cupcakes - there could have been more funfetti, but not enough to fill a whole pan, so I didn't bother. I added cinnamon bits from King Arthur to the apple cider ones and dipped them in maple cinnamon sugar, which is a change, one that hopefully people will like.

I also discovered that the cupcake carriers I've had sitting in a box under a chair in my living room for a few months are the wrong size (they are for standard-sized cupcakes) so I only have 10 mini ones and I need 13, so I will use the some foil lasagna pans for my brother and sister and one of the kids - they'll get a few more cupcakes out of it, since the carriers hold 2 dozen but the 9 x 13" tray fits about 30. *hands* I'm just glad I still have a pack of them left to use; otherwise, I'd have been up a creek.

Tomorrow is Pipe-a-palooza 7: The Pipening! (yeah, it's kind of shocking to me I've been doing cupcakes for 7 years now - I started in 2019 - but I like it more than the chocolates [and it's also less time-consuming than the chocolates were] and I can't do ice creams anymore due to logistics, though they remain my all-time favorite of the homemade Christmas gifts I've done over the years.) Wish me luck! It's always the hardest part for me. Hopefully I will remember to take pictures to share afterwards.

Whoops, I started this entry an hour ago and got distracted by stuff like packing my overnight bag and refilling my water bottle etc. so I'm just gonna hit post now and work up the energy to go wash my hair.

***

6-day plan, day 5 )

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starwatcher: Western windmill, clouds in background, trees around base. (Default)
([personal profile] starwatcher posting in [community profile] fandom_checkin Dec. 23rd, 2025 05:55 pm)
 
This is your check-in post for today. The poll will be open from midnight Universal or Zulu Time (8pm Eastern Time) on Tuesday, December 23, to midnight on Wednesday, December 24. (8pm Eastern Time).

Poll #34002 Daily Check-in
This poll is closed.
Open to: Access List, detailed results viewable to: Access List, participants: 25

How are you doing?

I am OK.
15 (60.0%)

I am not OK, but don't need help right now.
10 (40.0%)

I could use some help.
0 (0.0%)

How many other humans live with you?

I am living single.
7 (29.2%)

One other person.
9 (37.5%)

More than one other person.
8 (33.3%)




Please, talk about how things are going for you in the comments, ask for advice or help if you need it, or just discuss whatever you feel like.
 
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I am delighted to announce that the 4th Penric & Desdemona collection on paper is coming from Baen Books in May, 2025, to be titled Penric's Intrigues. (I believe we had some title brainstorming on that a while back in a comments section on this very blog. Titles are always a challenge...)

It will contain the novel-length The Assassins of Thasalon, and the novella "Knot of Shadows".

I proofread the galleys last week. Cover art is not yet available, but the copyright page lists the artist as Kieran Yanner. This is a new artist to me, but a visit to his website looks promising.

Amazon has a listing already -- www.amazon.com/Penrics-Intrigues-Worl...

I hope Baen will be encouraged to reprint the mass market paperbacks of first two collections, which have been out-of-print for a while. (All the hardcovers, plus the paperback of Penric's Labors, remain available.)

Ta, L.

posted by Lois McMaster Bujold on December, 23

Posted by John Scalzi

Because I am a nerd — no, really — every time I watch Monsters, Inc. I think about the biology and physiology of its monsters. As in, I very strongly believe that all the different monsters in the film are the same species, rather than separate species of monsters who have all decided to live together in harmony (a la Zootopia). I hypothesize the monster DNA does not strongly code for morphology, and so you get this wide range of body shapes, limb numbers, squish levels, etc, and just because the parents look one way doesn’t mean their offspring look similarly. You never know what you’re going to get until it comes out. So, like apples and dogs, every monster, as a phenotype, is a complete surprise.

Have I thought about this too much? Yes. Yes, I have. But if I have, it’s because Monsters, Inc. has encouraged me to do so. The filmmakers at Pixar, whose fourth film this was, went out of their way to build out a monster world so detailed and complete, and so full of little grace notes, details and Easter eggs, that one can’t help but follow their lead and build it out a little more in one’s head. Thus, the intriguing nature of monster DNA, and how it is (in my head canon, anyway) why you see so many weird and wonderful monster designs in this film.

The story you will know, especially if you were a kid at any point in the 21st century (or had a kid at any point in this time). The monsters under your bed exist, and they are using you for responsible renewable energy! Turns out that the screams of children are an extremely efficient source of clean power (this is not explained, nor should it be). The monster world has become equally efficient at scaring the ever-living crap out of kids, through a corps of professional scarers, who lurk and roar and flash their teeth and fangs and what have you. These scarers are not just municipal workers but the sports stars of the monster world, with other monsters having posters and trading cards of them.

This premise, I will note, could be played for absolute “R”-rated terror, and has been, several times — not necessarily an entire power plant apparatus, but surely the idea of horrifying creatures feeding off the fear of children. But as we all know, life is easy, comedy is hard. The real expert mode is taking this terrifying premise and wringing laughs out of it.

Monsters, Inc. does it by, essentially, being a workplace comedy. The monsters aren’t monsters when they’re off the clock — well, they are monsters, but they’re not scary. They’re just getting through their day like everyone else. Our two protagonists, James P. Sullivan (John Goodman) and Mike Wazowski (Billy Crystal) are your typical Mutt n’ Jeff pairing and workplace partners; Sully, who is big and blue and can roar with the best of them, is a champion scarer, and Mike is his sidekick and support staff, keeping him in shape and making sure they meet their scare quota and then some. Mike and Sully have great chemistry and it’s easy to overlook that they’re the reason you have to put a pee sheet on your kid’s bed.

The film also flips the script: Yes, the monsters’ job is to scare kids, but the fact is, the monsters are flat-out terrified of children — like a toxic game of tag, if one of the kids touches you, you could die. Even a sock brought back into the monster world is cause for a biological detoxification regimen not seen this side of a chemical spill. So naturally a toddler named Boo slips into the monster world and follows Mike and Sully home, and from there — well, things get squirrely. There is also some workplace espionage, and a subplot with Mike trying to get a girlfriend, and tales of energy extraction gone too far, but you hopefully get the point, which is that the filmmakers decided that the terror aspects of the film were the least interesting things to follow up on.

I love all of this. Also, it shouldn’t be a surprise — this is a Pixar film, and it is rated “G,” so the chance that this movie would go Full Thing were never exactly high to begin with. But anyone who has ever read my work knows that what I’m fascinated with is the mundane in the fantastic. Yes, it’s nice you’re a James Bond villain, but how are you making that work financially and logistically? Sure, there are 300-foot monsters that stomp about, but what is their actual ecology? And so on and so forth. It’s no great trick to make a monster. It is a trick to make a monster city where there is a logical reason for monsters to do what they’re famous for doing, and where doing that thing leads to very human complications.

The folks at Pixar are with me on this, overengineering their monster city with gags and bits and sly asides (the fanciest restaurant in town called Harryhausen’s? Chef’s kiss. The tribute to the Chuck Jones – Michael Maltese classic animated short “Feed the Kitty”? Two chef’s kisses! Two!), and giving us characters whose monstrous nature is a source of comedy. Having Sully voiced by John Goodman, an Actual Human Teddy Bear, is inspired, especially for his scenes with Boo. Meanwhile, Mike Wazowski is a literal ball of anxiety, and Billy Crystal has never been better cast. I would watch an entire movie of Mike and Sully just riffing, a fact which informs Monsters University, the movie’s sequel (well, prequel), which is not as good as the original but that hardly matters because we get more time with these two.

Monsters, Inc., is probably no one’s pick for the best film Pixar has ever made (that’s probably Toy Story 2, maybe Wall-E, with Coco being the dark horse candidate), but as I noted before, this series isn’t about the best movies, it’s about the movies I can settle in and rewatch over and over. Of all the Pixar films, Monsters, Inc., is this for me. You probably won’t weep watching this, like you might with those other Pixar films I mentioned. This one is thoroughly low-stakes. But low stakes is okay! I love looking at it, and keep wanting to be able to look around corners and go into shops and see how all the monsters are going ahead and living their lives.

There’s a whole world here I want to explore, and many things I want to speculate about. I want to tell the monsters my theory about their DNA. I’m sure that will go over super well.

— JS

brainwane: Photo of my head, with hair longish for me (longhair)
([personal profile] brainwane Dec. 23rd, 2025 07:44 pm)
looking forward to the next episode of Pluribus

starting to read the scifi mystery Murder by Memory by Olivia Waite

making note of the upcoming Grolier Club exhibition on the mechanization of printing: "The Second Printing Revolution: Invention of Mass Media", starting January 14

thinking about whether I could make some use of the new Rx Inspector tool from Pro Publica

spreading word of the Otherwise Award's year-end fundraising campaign to celebrate scifi/fantasy/genre fiction that expands or explores our notions of gender (I'm on the board)

teaching activists how to use Signal features -- usernames, disappearing messages, nicknames, etc. -- to preserve privacy and improve convenience

listening to episodes of KEXP's Runcast (music) and an Australian guy's One Man, One Hammock (rambling monologues) as I do chores

playing an ad hoc guessing game with my spouse where I look up random records on the Guinness world records website and ask him to guess, e.g., how tall the tallest chocolate fountain is

dithering on whether to write a year-end retrospective for my blog

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An all-new Bundle featuring the Old Gods of Appalachia Roleplaying Game, the tabletop game of eldritch horror from Monte Cook Games based on Steve Shell and Cam Collins' Old Gods of Appalachia anthology podcast.

Bundle of Holding: Old Gods of Appalachia
([syndicated profile] eff_feed Dec. 23rd, 2025 06:06 pm)

Posted by Maggie Kazmierczak

The world has been forced to bear the weight of billionaires and politicians who salivate over making tech more invasive, more controlling, and more hostile. That's why EFF’s mission for your digital rights is crucial, and why your support matters more than ever. You can fuel the fight for privacy and free speech with as little as $5 or $10 a month:

Join EFF

Become a Monthly Sustaining Donor

When you donate by December 31, your monthly support goes even further by unlocking bonus Year-End Challenge grants! With your help, EFF can receive up to seven grants that increase in size as the number of supporters grows (check our progress on the counter). Many thanks to EFF’s Board of Directors for creating the 2025 challenge fund.

The EFF team makes every dollar count. EFF members giving just $10 or less each month raised $400,000 for digital rights in the last year. That funds court motions, software development, educational campaigns, and investigations for the public good every day. EFF member support matters, and we need you.

📣 Stand Together: That’s How We Win 📣

You can help EFF hold corporations and authoritarians to account. We fight for tech users in the courts and we lobby and educate lawmakers, all while developing free privacy-enhancing tech and educational resources so people can protect themselves now. Your monthly donation will keep us going strong in this pivotal moment.

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Get your choice of free gear when you join EFF!

Your privacy online and the right to express yourself are powerful—and it’s the reason authoritarians work so viciously to take them away. But together, we can make sure technology remains a tool for the people. Become a monthly Sustaining Donor or give a one-time donation of any size by December 31 and unlock additional Year-End Challenge grants!

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EFF Members have carried the movement for privacy and free expression for decades. You can help move the mission even further! Here’s some sample language that you can share with your networks:


We need to stand together and ensure technology works for us, not against us. Donate any amount to EFF by Dec 31, and you'll help unlock challenge grants! https://eff.org/yec
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([syndicated profile] eff_feed Dec. 23rd, 2025 05:00 pm)

Posted by Matthew Guariglia

In 2024, EFF wrote our initial blog about what could go wrong when police let AI write police reports. Since then, the technology has proliferated at a disturbing rate. Why? The most popular generative AI tool for writing police reports is Axon’s Draft One, and Axon also happens to be the largest provider of body-worn cameras to police departments in the United States. As we’ve written, companies are increasingly bundling their products to make it easier for police to buy more technology than they may need or that the public feels comfortable with. 

We have good news and bad news. 

Here’s the bad news: AI written police reports are still unproven, untransparent, and downright irresponsible–especially when the criminal justice system, informed by police reports, is deciding people’s freedom. The King County prosecuting attorney’s office in Washington state barred police from using AI to write police reports. As their memo read, “We do not fear advances in technology – but we do have legitimate concerns about some of the products on the market now... AI continues to develop and we are hopeful that we will reach a point in the near future where these reports can be relied on. For now, our office has made the decision not to accept any police narratives that were produced with the assistance of AI.” 

In July of this year, EFF published a two-part report on how Axon designed Draft One to defy transparency. Police upload their body-worn camera’s audio into the system, the system generates a report that the officer is expected to edit, and then the officer exports the report. But when they do that, Draft One erases the initial draft, and with it any evidence of what portions of the report were written by AI and what portions were written by an officer. That means that if an officer is caught lying on the stand – as shown by a contradiction between their courtroom testimony and their earlier police report – they could point to the contradictory parts of their report and say, “the AI wrote that.” Draft One is designed to make it hard to disprove that. 

In this video of a roundtable discussion about Draft One, Axon’s senior principal product manager for generative AI is asked (at the 49:47 mark) whether or not it’s possible to see after-the-fact which parts of the report were suggested by the AI and which were edited by the officer. His response (bold and definition of RMS added): 

“So we don’t store the original draft and that’s by design and that’s really because the last thing we want to do is create more disclosure headaches for our customers and our attorney’s offices—so basically the officer generates that draft, they make their edits, if they submit it into our Axon records system then that’s the only place we store it, if they copy and paste it into their third-party RMS [records management system] system as soon as they’re done with that and close their browser tab, it’s gone. It’s actually never stored in the cloud at all so you don’t have to worry about extra copies floating around.”

Yikes! 

All of this obfuscation also makes it incredibly hard for people outside police departments to figure out if their city’s officers are using AI to write reports–and even harder to use public records requests to audit just those reports. That’s why this year EFF also put out a comprehensive guide to help the public make their records requests as tailored as possible to learn about AI-generated reports. 

Ok, now here’s the good news: People who believe AI-written police reports are irresponsible and potentially harmful to the public are fighting back. 

This year, two states have passed bills that are an important first step in reigning in AI police reports. Utah’s SB 180 mandates that police reports created in whole or in part by generative AI have a disclaimer that the report contains content generated by AI. It also requires officers to certify that they checked the report for accuracy. California’s SB 524 went even further. It requires police to disclose, on the report, if it was used to fully or in part author a police report. Further, it bans vendors from selling or sharing the information a police agency provided to the AI. The bill also requires departments to retain the first draft of the report so that judges, defense attorneys, or auditors could readily see which portions of the final report were written by the officer and which portions were written by the computer.

In the coming year, anticipate many more states joining California and Utah in regulating, or perhaps even banning, police from using AI to write their reports. 

This article is part of our Year in Review series. Read other articles about the fight for digital rights in 2025.

Posted by David Greene

The US legal profession was just one of the pillars of American democracy that was targeted in the early days of the second Trump administration. At EFF, we were proud to publicly and loudly support the legal profession and, most importantly, continue to do our work challenging the government’s erosion of digital rights—work that became even more critical as many law firms shied away from pro bono work.

For those that don’t know: pro bono work is work that for-profit law firms undertake for the public good. This usually means providing legal counsel to clients who desperately need but cannot afford it. It’s a vital practice, since non-profits like EFF don’t have the same capacity, resources, or expertise of a classic white shoe law firm. It’s mutually beneficial, actually, since law firms and non-profits have different experience and areas of expertise that can supplement each other’s work.

A little more than a month into the new administration, President Trump began retaliating against large law firms who supported had investigations against him or litigated against his interests, representing clients either challenging his policies during his first term or defending the outcome of the 2020 election among other cases. The retaliation quickly spread to other firms—firms lost government contracts and had security clearances stripped from their lawyers. Twenty large law firm were threatened by the Equal Employment Opportunity Commission over their DEI policies. Individual lawyers were also targeted. The policy attacking the legal profession was memorialized as official policy in the March 22, 2025 presidential memo Preventing Abuses of the Legal System and the Federal Court.

Although many of the targeted firms shockingly and regrettably capitulated, a few law firms sued to undo the actions against them. EFF was eager to support them, joining amicus briefs in each case. Over 500 law firms across the country joined supportive amicus briefs as well.

We also thought it critically important to publicly state our support for the targeted law firms and to call out the administration’s actions as violating the rule of law. So we did. We actually expected numerous law firms and legal organizations to also issue statements. But no one else did. EFF was thus the very first non-targeted legal organization in the country, either law firm or nonprofit, to publicly oppose the administration’s attack on the independence of the legal profession. Fortunately, within the week, firms started to speak up as well. As did the American Bar Association.

In the meantime, EFF’s legal work has become even more critical as law firms have reportedly pulled back on their pro bono hours since the administration’s attacks. Indeed, recognizing the extraordinary need, we ramped up out litigation, including cases against the federal government, suing DOGE for stealing Americans’ data, the state department for chilling visa-holders’ speech by surveilling and threatening to surveil their social media posts, and seeking records of the administration’s demands to online platforms to remove ICE oversight apps.

And we’re going to keep on going in 2026 and beyond.

This article is part of our Year in Review series. Read other articles about the fight for digital rights in 2025.

([syndicated profile] eff_feed Dec. 23rd, 2025 04:50 pm)

Posted by Cindy Cohn

Each December we take a moment to publish a series of blog posts that look back at the things we’ve accomplishes in fighting for your rights and privacy the past 12 months. But this year I’ve been thinking not just about the past 12 months, but also over the past 25 years I’ve spent at EFF.  As many folks know, I’ve decided to pass the leadership torch and will leave EFF in 2026, so this will be the last time I write one of these annual reviews.  It’s bittersweet, but I’m filled with pride, especially about how we stick with fights over the long run.  

EFF has come a long way since I joined in 2000.  In so many ways, the work and reputation we have built laid the groundwork for years like 2025 – when freedom, justice and innovation were under attack from many directions at once with tech unfortunately at the center of many of them.  As a result, we launched our Take Back CRTL campaign to put the focus on fighting back. 

In addition to the specific issues we address in this year-end series of blog posts, EFF brought our legal expertise to several challenges to the Trump Administration’s attacks on privacy, free speech and security, including directly bringing two cases against the government and filing multiple amicus briefs in others.  In some ways, that’s not new: we’ve worked in the courts to hold the government accountable all the way back to our founding in1990.  

In this introductory blog post, however, I want to highlight two topics that attest to our long history of advocacy.  The first is our battle against the censorship and privacy nightmares that come from requirements that internet users to submit to  age verification. We’ve long known that age verification technologies, which aim to block young people from viewing or sharing information that the government deems “harmful” or “offensive,” end up becoming  tools of censorship.  They often rely on facial recognition and other techniques that have unacceptable levels of inaccuracy and that create security risks.  Ultimately, they are surveillance systems that chill access to vital online communities and resources, and burden the expressive rights of adults and young people alike. 

The second is automated license plate readers (ALPR), which serve as a mass surveillance network of our locations as we go about our day.  We sued over this technology in 2013, demanding public access to records about their use and ultimately won at the California Supreme Court.  But 2025 is the year that the general public began to understand just how much information is being collected and used by governments and private entities alike, and to recognize the dangers that causes. Our investigations team filed another public records requests, revealing racist searches done by police. And 12 years later after our first lawsuit, our lawyers filed another case, this time directly challenging the ALPR policies of San Jose, California.  In addition, our activists have been working with people in municipalities across the country who want to stop their city’s use of ALPR in their communities.  Groups in Austin, Texas, for example, worked hard to get their city to reject a new contract for these cameras.  

These are just two issues of many that have engaged our lawyers, activists, and technologists this year. But they show how we dig in for the long run and are ready when small issues become bigger ones.   

The more than 100 people who work at EFF spent this last year proving their mettle in battles, many of which are nowhere near finished. But we will push on, and when those issues breach public consciousness, we’ll be ready.    

We can only keep doggedly working on these issues year after year because of you, our members and supporters. You engage on these issues, you tell us when something is happening in your town, and your donations power everything we do. This may be my last end-of-the-year blog post, but thanks to you, EFF is here to stay.  We’re strong, we’re ready, and we know how to stick with things for the long run. Thanks for holding us up.    

This article is part of our Year in Review series. Read other articles about the fight for digital rights in 2025.

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([syndicated profile] scalziwhatever_feed Dec. 23rd, 2025 02:19 pm)

Posted by John Scalzi

We have a tradition on Athena’s birthday that we would wake her up with a cake and candles, going back to the days when she had no idea when her birthday was, so it would be a total surprise to her. This year there was a complication to that tradition: she has her own house now. That said, the house is only about a mile from ours, and it was hinted that early morning cake would not be looked amiss, so, yet again the tradition was upheld. I can’t say how long this will go on, but we’ll enjoy it while it does.

Also a tradition: Me saying here how great I think my kid is, and how of all the kids I could have been a parent of, she’s the best of all possible kids for me. This continues to be true! I know she has a lot of cool stuff planned for 2026 and I’m glad to get to be part of some of them. In the meantime: She’s great and I love her. If you want to wish her a happy birthday in the comments, that would be swell.

— JS

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